![]() ![]() Lizzy then sees a copy off herself outside the door and tries to let the drone in. Lizzy asks Doll where her parents are, only for Doll to reply in Russian that they are deceased. One of the drones looking into the investigation then discovers the other drones there were actually holograms created and puppeteerd by the creature, before being taken herself.īack at the conference, Khan goes off on the teacher about how Uzi is not doing that bad. Uzi tells N that she's fine, and the trio creep further into the colony. Uzi overhears that her father is in a parent-teacher conference over her, and as the drones discussing this find it "cringe", N asks her is she's ok. ![]() He questions N particularly, N giving the drone a crayon drawing expressing his guilt over killing the previous drones stationed there. Meanwhile, the creature assimilates several more drones, including the drone who assigned Frank to the roof repair.Īt the entrance to the colony, a worker stops Uzi, Thad, and N before they head in. She, Thad, and N, head back to the colony. Uzi awkwardly accepts the railgun back and listens to Thad's request to look at the area she shot J in. Uzi then notices Thad, who then hands her over her railgun. N asks if Uzi is alright, only for Uzi to proclaim that she is God. A worker interrupts to inform Khan that a situation is happening in the colony. Khan wonders if he didn't spend as much time as he should have with Uzi. Khan ponders this and the teacher's suggestion that Uzi may have damaged programming. The teacher informs him that Uzi has been absent some time. Khan arrives at a parent-teacher conference. When he discovers it, a strange heart-like device appears and creates a massive creature that assimilate him. This worker, misidentified as "Ladderbot 5000", then attempts a repair on the roof, only for J's corpse to crawl away. N attempts to defuse the situation by pulling the two apart.īack at Uzi's colony, a worker assigns Frank to fix the hole in the roof caused by N's departure in the previous episode. V questions Uzi, taunting her that her story does not make sense and that the Worker Drones are only pretending to be innocent. Uzi responds that it is, that humans have it coming since they sent his group off without communications and reformatted their memories. ![]() N questions Uzi if the plan to kill all humans is a actually doable. Uzi informs N that his cap is actually a pilot's cap. Uzi and V have a quick exchange over the strange symbol on Uzi's visor. They blush as they gather up their spilled items, only for Serial Designation J to cut in and begin talking to Tessa, who then introduces a new drone to the three of them.Īt the corpse spire, N awakens from slumber to Uzi calling his name. As they pick them up, they accidentally touch hands, a spark exchanging between them. N runs into Serial Designation V they both spill their held items. N and his fellow Disassembly Drones appear to resemble Worker Drones for this scene. In a 2003 commentary included on our Memories edition, Kim exclaims, “I was beat up by the Foul King!” referencing Song’s star-making role in the 2000 film of the same name.In an unknown mansion, James talks to Serial Designation N, who appears holding a serving platter. Much to Kim’s surprise, the professional-wrestling-style dropkick by Song that sends the former rolling down a hill was unplanned and full-contact. Bong avoided rehearsals to preserve the awkwardness between some characters, and that initial encounter, a fight, was the very first time the performers worked together. Verisimilitude extended to some performance details, such as the first meeting between Inspector Park Doo-man (Song Kang Ho) and Inspector Seo Tae-yoon (Kim Sang Kyung). Because the fonts and paper employed in 1986 were no longer in use by the time the movie was filmed in 20, the art department had to source the correct paper stock and design each font by hand, character by character. His art department, led by production designer Ryu Sung Hee, was particularly challenged by his request for newspapers, which are occasionally used in the film to convey information to the viewer. Bong, who has been nicknamed Bongtail by his crew because of his microscopic attention to detail, wanted Memories of Murder to be filled with period-accurate props, costumes, and set dressing. ![]()
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